AHIW: Microcosmic Orbit by Noel Ed De Leon with Pepe Dayaw
Bagri Foundation presents the first of three live-streamed conversations as part of Microscosmic Orbit by Noel Ed De Leon, winner of the Lectures & Courses category for our At Home in the World Open Call.
Curated by Eva Bentcheva, this project activates De Leon’s attic into a ‘microcosmic orbit’ of exchange. He invites guests into his attic virtually to connect its contents and respond via their own work around “being at home in world” and being “multi-positioned” across Southeast Asia, the UK and Germany. Since 2012, De Leon has sought to build conversations and collaborations with artists, art historians and curators across Britain, Germany, Holland, France and the Philippines who share an interest in invisible histories connecting Europe and Asia. As there is a wide range of objects in his collection – from original equipment from the First and Second World Wars collected in Britain and the Philippines, to found objects, tribal artefacts and remnants of artworks – De Leon made a selection of objects around three core themes.
He invites ‘inside’ a series of guests who are also culturally active in the Southeast Asian communities across Europe and whose work engages with diaspora, migration, and archiving. It is a pleasure and honour to be working with Berlin-based artist Pepe Dayaw on the first in the series around ‘sheltering’ where they will delve into the deeply symbolic and aesthetic nature of interiority, housing and survival.
The other two guests are cultural anthropologist/activist Tran Thu Trang, as well as London-based artist Erika Tan who will be discussing ‘wrapping’ on 14 August and ‘temporalities’ on 10 September respectively.
To find out more, read Bentcheva’s interview with De Leon on our Stories page.
Noel Ed De Leon is a visual and performance artist whose practice spans archiving, installation and live art. His work explores the themes of history and memory, engaging with questions of how historical conflicts, migrations and exchanges may be traced through surviving historical objects. His installations and performances have been featured in the group exhibitions Corpografias (2016) at the A-Side B-Side Gallery in London, Should the World Break In (2017) at the Fundación Joan Miró in Barcelona, M.A.P. Archiving Asia (2017) at the Live Art Development Agency in London, UnAuthorised Medium! (2018) at Framer Framed in Amsterdam, Archives in Residence: Southeast Asia Performance Collection (2019) at the Haus der Kunst in Munich Germany. His practice was also the subject of two major solo exhibitions Tokens of a Time Gone By: Reanimating History as Art (2014) curated by Eva Bentcheva at the Philippine Embassy of London and 1,976 Objects (2019) curated by Patrick Flores at the Jorge B. Vargas Museum in Manila. Since 2015, Noel has co-directed Batubalani Art Projects with Eva Bentcheva, a non-profit organisation working to promote Philippine art across museums and universities in Europe.
Pepe Dayaw is an artist and anthropologist of Filipino heritage, born in Manila, migrated to many places and now resides in Brandenburg, Germany. He obtained Master’s degree scholarships in International Performance Research at the University of Amsterdam and Warwick; Performing Arts and Visual Culture at the University of Alcala / Museum of Reina Sofia; as well as Art History, Creative Writing, and Philippine Art Studies from the University of the Philippines. He is a trained dancer, having learned traditional folk dances from the Philippines while being part of a church. Singing, speaking many languages, hospitalities, ritual-making and facilitating: social skills that he learned in the school of life forms part of his
repertoire as a storyteller. He developed methodologies and pedagogies of lifelong learning through a migrant cooking concept of leftovers (Nowhere Kitchen) and many other repertoires of cooking the body (Social Dance Laboratory). He co-founded the Sari-Sari, a community of artistic lives and practices that collaborate on ecologies of performance and economies of friendships.
Eva Bentcheva is an art historian and curator. She holds a PhD in Art History from SOAS, University of London. Her research focuses on transnational performance and conceptual art practices, particularly connecting Asia and Europe. Together with Noel Ed De Leon, she is co-director of Batubalani Art Projects, working to promote Philippine art in curatorial practices and academia in Britain and Germany. She has held research and curatorial fellowships at the Paul Mellon Centre for Studies in British Art in London, and was the Goethe-Institut Postdoctoral Fellow at Haus der Kunst in Munich. In 2019, she co-curated the exhibition ‘Archives in Residence: Southeast Asia Performance Collection’ with Annie Jael Kwan andDamian Lentini at Haus der Kunst. She was previously a Visiting Research Fellow (2016) and Adjunct Researcher (2017-18) for the Tate Research Centre: Asia, with a focus on conceptual and performative practices in Philippine art during the 1960s-80s.